Elizabeth C. Patterson: Thou Art My Refuge, Psalms Of Salvation And Mercy, Gloriae Dei Cantores - CD

Gloriæ Dei Cantores

kr202.30
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SKU:
CD038
UPC:
0709887003820
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Edition:
1x CD
Gloriæ Dei Cantores Cat#:
CD038
Released:
1.9.2005 in US
Genre:
Classical
Artist:
Elizabeth C. Patterson
Orchestra:
Gloriae Dei Cantores
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The Psalms have been used for private and public worship for thousands of years. While they have been interpreted in numerous ways, they have been a source of hope and comfort for many. Gloriæ Dei Cantores presents the first of a three-volume series of the Psalms of David. Gloriæ Dei Cantores provides a wealth of experience in the communication of the rich texts of these psalms, having chanted the psalms for nearly three decades in worship services. Perfect for contemplative listening at any place or time, Thou Art My Refuge will be welcomed by all who love the Psalms for their beautiful poetry and spiritual depth.

 

CRITICAL ACCLAIM

“Anglican chant — a harmonized form of liturgical chanting, primarily of psalms – isn't like anything else in music. Although it’s closer in style to speech than traditional monodic Gregorian chant, the harmonizations – and thus the requirement for a particular type of singing ensemble – removes it from the impersonal and functional to the realm of a more artistic, performance-conscious purpose. To sing Anglican chant – and especially to sing it properly – you need a choir of mixed voices who have mastered the myriad aspects and subtleties of phrasing, inflection, articulation, tonal balances, dynamics, and the often debatable rules of pointing, not to mention the necessities of coordinating with the supporting – and sometimes ornamented – organ accompaniment. Outside of British record shops or cathedral gift stores, you rarely see a recording of real live Anglican chant – certainly not on this side of the Atlantic – so it’s refreshing to discover that the very fine Massachusetts based Gloriæ Dei Cantores, known for its many Gregorian chant recordings (among many other choral-music projects), has undertaken a three-volume series to explore, and hopefully expose new listeners to, this exceptional, unique, and affecting body of liturgical music.
There are 22 psalm settings covered here, by a wide range of composers writing in predominantly traditional styles – in other words, this volume doesn’t contain any of the more recently composed or harmonically “adventurous” settings some listeners will be familiar with. What we do get is the essence of Anglican chant sound and style – and thanks to the superb efforts of this very sensitive, responsive choir, its knowing director, and a pair of first-rate organists, we experience something of the uniquely expressive power inherent in this manner of psalm-singing, which in its most accomplished form allows phrases to flow and important individual words their full presence and meaning.
I was happy to hear several of my favorite settings – especially the Wesley for Psalms 42 and 43, the Goss for Psalm 11, and Aylward for Psalm 138 – as well as many beautiful unfamiliar ones. I only wish that the choir and organ were recorded in a more favorable – that is, less noisy – acoustic. Perhaps a bit more distance, or a slight dampening or reconfiguring of the live, resonant space would help. At any rate, it’s a treat to hear this music so well realized and enthusiastically sung (supported by some very nice organ work). I’m looking forward to volume 2!”
David Vernier Classics Today

“... a delight to hear ... intonation and diction are of the highest order ... this recording could be especially helpful for private prayer and meditation.” “Volume 1 (of 3), Thou Art My Refuge, contains selections from the “Psalms of Lament.” As is appropriate, the tone is somber and subtle. Both voice and music, albeit the music is minimal, communicates the depth of our need and the quiet assurance of God’s provision. These Volumes, although likely not intended for this purpose, are perfect for these smaller congregations as a means for enhancing meditation, worship, catechesis and training. As well, being centered in the Psalter, they are very useful in our private worship by setting the tone for both seasonal considerations and self-reflection. Paraclete Press, rooted as it is within liturgical renewal and reform, has provided us with wonderful resources for personal reflection and congregational renewal.”
The Very Rev. Dr. Donald P. Richmond, Obl.OSB. Forward in Christ

Listen to music samples


       1. Psalm 142 I Cried Unto The Lord With My Voice


       2. Psalm 85 Lord, Thou Art Become Gracious Unto
       Thy Land

       3. Psalm 120 When I Was In Trouble, I Called Upon
       The Lord
 
       4. Psalm 25 Unto, Thee, O Lord, Will I Lift Up My Soul
 
       5. Psalm 61 Hear My Crying, O God
 
       6. Psalm 132 Lord, Remember David
 
       7. Psalm 70 Haste Thee, O God, To Deliver Me

 
       8. Psalm 130 Out Of The Deep Have I Called Unto
       Thee, O Lord
 
       9. Psalm 6 O Lord, Rebuke Me Not In Thine Indignation

 
       10. Psalm 42 & 43 Like As The Hart Desireth
       The Waterbrooks
 
      11. Give Sentence With Me, O God

 
       12. Psalm 51Have Mercy Upon Me, O God, After
       They Great Goodness
 
       13. Pslam 49 O Hear This, All Ye People
 
       14. Psalm 69 Save Me, O God
 
       15. By The Waters Of Babylon We Sat Down And Wept
 
       16. Psalm 102 Hear My Prayer, O Lord

 
       17. Psalm 138 I Will Give Thanks Unto Thee,
       O Lord, With My Whole Heart
 
       18. Psalm 13 How Long With Thou Forget Me,
       O Lord, Forever?


       19. Psalm 64 Hear My Voice, O God, In My Prayer


       20. Psalm 11 In The Lord Put I My Trust

       21. Psalm 32 Blessed Is He Whose Unrighteousness Is Forgiven
CD recordings carry 2 year warranty if treated properly. No returns of used product.

3 Reviews Hide Reviews Show Reviews

  • 5
    Recommended

    Posted by Fanfare on 9th Dec 2021

    Patterson brings to the recording the experience of leading these singers in daily worship. The singers enunciate clearly and devoutly, with gentle support from organ accompaniment...

  • 5
    A delight to hear

    Posted by The Very Rev. Dr. Donald P. Richmond, Obl.OSB. Forward in Christ on 9th Dec 2021

    Intonation and diction are of the highest order ... this recording could be especially helpful for private prayer and meditation.” “Volume 1 (of 3), Thou Art My Refuge, contains selections from the “Psalms of Lament.” As is appropriate, the tone is somber and subtle. Both voice and music, albeit the music is minimal, communicates the depth of our need and the quiet assurance of God’s provision. These Volumes, although likely not intended for this purpose, are perfect for these smaller congregations as a means for enhancing meditation, worship, catechesis and training. As well, being centered in the Psalter, they are very useful in our private worship by setting the tone for both seasonal considerations and self-reflection. Paraclete Press, rooted as it is within liturgical renewal and reform, has provided us with wonderful resources for personal reflection and congregational renewal.

  • 5
    I’m looking forward to volume 2!

    Posted by David Vernier Classics Today on 9th Dec 2021

    Anglican chant — a harmonized form of liturgical chanting, primarily of psalms – isn't like anything else in music. Although it’s closer in style to speech than traditional monodic Gregorian chant, the harmonizations – and thus the requirement for a particular type of singing ensemble – removes it from the impersonal and functional to the realm of a more artistic, performance-conscious purpose. To sing Anglican chant – and especially to sing it properly – you need a choir of mixed voices who have mastered the myriad aspects and subtleties of phrasing, inflection, articulation, tonal balances, dynamics, and the often debatable rules of pointing, not to mention the necessities of coordinating with the supporting – and sometimes ornamented – organ accompaniment. Outside of British record shops or cathedral gift stores, you rarely see a recording of real live Anglican chant – certainly not on this side of the Atlantic – so it’s refreshing to discover that the very fine Massachusetts based Gloriæ Dei Cantores, known for its many Gregorian chant recordings (among many other choral-music projects), has undertaken a three-volume series to explore, and hopefully expose new listeners to, this exceptional, unique, and affecting body of liturgical music. There are 22 psalm settings covered here, by a wide range of composers writing in predominantly traditional styles – in other words, this volume doesn’t contain any of the more recently composed or harmonically “adventurous” settings some listeners will be familiar with. What we do get is the essence of Anglican chant sound and style – and thanks to the superb efforts of this very sensitive, responsive choir, its knowing director, and a pair of first-rate organists, we experience something of the uniquely expressive power inherent in this manner of psalm-singing, which in its most accomplished form allows phrases to flow and important individual words their full presence and meaning. I was happy to hear several of my favorite settings – especially the Wesley for Psalms 42 and 43, the Goss for Psalm 11, and Aylward for Psalm 138 – as well as many beautiful unfamiliar ones. I only wish that the choir and organ were recorded in a more favorable – that is, less noisy – acoustic. Perhaps a bit more distance, or a slight dampening or reconfiguring of the live, resonant space would help. At any rate, it’s a treat to hear this music so well realized and enthusiastically sung (supported by some very nice organ work).