The interaction of Eberhard Weber’s highly distinctive bass and Rainer Brüninghaus’ lyrical piano is at the heart of a number of popular ECM recordings, starting with Weber’s Colours of Chloë, and extending through the discographies of the Colours band and the Jan Garbarek Group. But the rapport of the two players was rarely better displayed than on 1976’s The Following Morning, where their dialogues are softly cushioned in attractive arrangements for strings, horns and woodwinds.
Tracklist:
1 T. On A White Horse 10:10
2 Moana I 10:52
3 The Following Morning 12:02
4 Moana II 7:45
Bass – Eberhard Weber
Cello [Celli], French Horn [French Horns], Oboe – Members Of The Philharmonic Orchestra, Oslo
Composed By [All Composed By] – Eberhard Weber
Piano – Rainer Brüninghaus