The outer sleeve cover - includes one 2-page black/white insert with photos and credits (there are missing credits of the Orchestra members, unlike on CD version booklet).
Note from back cover:
Track D2 is identified as a bonus track.
Cover collage: Images from Justin1569 at English Wikipedia and Dave Robinson at Unsplash. Manufactured in the Netherlands.
Tracklist:
A2 Wide and Far, Arranged By [Arrangement By] – Pat Metheny, Arranged By [Orchestral Arrangement] – Gil Goldstein 8:27
B1 You Are, Arranged By [Additional Orchestral Arrangement By] – Pat Metheny, Arranged By [Arrangement By] – Pat Metheny, Arranged By [Orchestral Arrangement] – Alan Broadbent 6:13
B2 Same River, Arranged By – Linda May Han Oh*, Pat Metheny, Arranged By [Orchestral Arrangement] – Gil Goldstein 6:43
B3 Pathmaker, Arranged By – Gwilym Simcock, Pat Metheny, Arranged By [Orchestral Arrangement] – Gil Goldstein 8:20
C1 The Past In Us, Arranged By [Additional Orchestral Arrangement] – Pat Metheny, Arranged By [Arrangement By] – Pat Metheny, Arranged By [Orchestral Arrangement] – Gil Goldstein 6:24
C2 Everything Explained, Arranged By [Arrangement By] – Pat Metheny, Arranged By [Orchestral Arrangement] – Pat Metheny 6:52
C3 From This Place, Arranged By [Arrangement By] – Pat Metheny, Arranged By [Orchestral Arrangement] – Alan Broadbent, Lyrics By – Alison Riley, Vocals – Me'Shell NdegéOcello 4:40
D1 Sixty-Six, Arranged By [Arrangement By] – Pat Metheny, Arranged By [Orchestral Arrangement] – Alan Broadbent 9:39
D2 Love May Take A While, Arranged By [Arrangement By] – Pat Metheny, Arranged By [Orchestral Arrangement] – Alan Broadbent 5:57
Companies, etc.
- Phonographic Copyright ℗ – Metheny Group Productions
- Copyright © – Metheny Group Productions
- Licensed To – Nonesuch Records Inc.
- Record Company – Warner Music Group
- Published By – Pat-Meth Music
- Published By – Mater Dolorosa Publishing
- Published By – Alamar Music Company
- Recorded At – Avatar Studios
- Recorded At – Sony Scoring Stage
- Recorded At – Igloo Music
- Mastered At – Sterling Sound
- Lacquer Cut at – Sterling Sound
Credits
- Artwork [Cover Collage] – Dave Robinson, Justin1569
- Bass – Steve Dress
- Bass [1st] – Nico Abondolo
- Bass, Voice – Linda May Han Oh
- Cello – Cecilia Tsan, Dane Little, Eric Byers, Jacob Braun, Trevor Handy, Vanessa Freebairn-Smith
- Cello [1st] – Andrew Shulman
- Clarinet – Stuart Clark
- Clarinet [1st] – Dan Higgins
- Co-producer – Steve Rodby
- Composed By [All Compositions By] – Pat Metheny
- Conductor [The Holywood Studio Symphony Conducted By] – Joel McNeely
- Contractor [Assistant Music Contractor] – Whitney Martin
- Contractor [Music Contractor] – Gina Zimmitti
- Coordinator [Production Coordinator] – David Sholemson
- Coordinator [Technical Direction] – David Oakes
- Crew [Assistant To Joel McNeely] – Ho-Ling Tang
- Design – Doyle Partners
- Drums – Antonio Sanchez
- Engineer [Avatar Assistant Engineer] – Luke Klingensmith
- Engineer [Igloo Studio: Assistant Engineer] – Jay Marcovitz, Phil Levine
- Engineer [Igloo Studio] – Rich Breen
- Engineer [Sony Scoring Stage: Assistant Engineer] – Adam Michalak
- Engineer [Sony Scoring Stage] – Rich Breen
- Flute – Jenni Olson
- Flute [1st] – Heather Clark
- French Horn – Laura Brenes
- French Horn [1st] – Dylan Hart
- Guitar [Guitars] – Pat Metheny
- Harmonica – Gregoire Maret
- Keyboards – Pat Metheny
- Lacquer Cut By – JN-H
- Management [Avatar Studio Manager] – Tino Passante
- Management [Igloo Studio Manager] – Gustavo Borner
- Mastered By – Ted Jensen
- Mixed By – Pete Karam
- Orchestra – The Hollywood Studio Symphony
- Percussion – Luis Conte
- Photography By [Storm Photography By] – Dave Robinson, Jan Kopriva, Justin1569, Nicolas Jossi
- Photography By [Studio Photographs] – Rich Breen
- Photography By [Studio Photography] – Steve Rodby
- Piano – Gwilym Simcock
- Producer [Produced By] – Pat Metheny
- Recorded By [At Avatar Studio] – Pete Karam
- Technician [Guitar Tech] – Carolyn Chrzan
- Technician [Sony Scoring Stage : Scoring Stage Tech] – Greg Loskorn
- Technician [Sony Scoring Stage: Headphones & Studio Setup] – Greg Dennen
- Technician [Sony Scoring Stage: Pro Tools Op] – Larry Mah
- Technician [Sony Scoring Stage: Studio Setup] – David Marquette
- Trombone – Bill Reichenbach, Steven Holtman
- Trombone [1st] – Alex Iles
- Viola – Alma Fernandez, Darrin McCann, David Walther, Diana Wade, Lynne Richburg, Meredith Crawford, Robert Brophy
- Viola [1st] – Shawn Mann
- Violin – Amy Hershberger, Ben Jacobson, Charlie Bisharat, Eun-Mee Ahn, Helen Nightengale, Jackie Brand, Jessica E. Guideri, Lorenz Gamma, Maia Jasper, Natalie Leggett, Phillip Levy, Sara Parkins, Sarah Thornblade, Serena McKinney, Songa Lee, Tamara Hatwan, Tereza Stanislav
- Violin [Pr 2nd] – Julie Gigante
- Violin, Concertmaster – Roger Wilkie
- Vocals – Meshell Ndegeocello
3 Reviews Hide Reviews Show Reviews
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Like a bridge over troubled water
I think the photo on the cover might give a hint of where Pat is at. This is some strong stuff, especially the first track. Anyone expecting "smooth" jazz should probably stay away. It's a long, lush album but mostly a sad one. Can't imagine why; you'd think there was a worldwide pandemic going on. As for expressing one's opinions through music, you know how that goes. It's perfectly fine when the person listening agrees. If not, it's a terrible thing that has no place in music.
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Very nice, smooth jazz
I've been listening to Pat Metheny since the early 80's and I've the chance to see him live a couple of times, with the Group and individually. My favorite all time guitarist.
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Another great Metheny album...
This is a great album. It's smart and very accessible to newcomers. It's more straightforward (less experimental) yet still beautiful nonetheless. It's also solid throughout so I find myself sitting through the whole thing and not skipping around.
