MUSICAL MAGIC THAT TRULY SPANS THE GLOBE YEARS BEFORE "WORLD MUSIC" BECAME A GENRE
The final Santana album recorded with the leader's famed Woodstock lineup, one of the most capable and explosive bands ever assembled, Santana III (commonly referred to as The Third Album) is a beacon of Latin-tinged rock, melodic creativity, and cohesive interplay. The record also marks the debut of young guitar virtuoso Neal Schon, who functions as the ideal foil to Santana, whose playing on this 1971 set rivals that of the finest in his career. If not for arriving after the monumental Abraxas, it is likely Santana III would be mentioned in the same breath as groundbreaking psychedelic classics such as Bitches Brew. It's that good.
Tracklist:
A1 Batuka 3:35
A2 No One To Depend On 5:25
A3 Taboo 5:40
A4 Toussaint L'Overture 5:54
B1 Everybody's Everything 3:30
B2 Guajira 5:50
B3 Jungle Strut 5:19
B4 Everything's Coming Our Way 3:19
B5 Para Los Rumberos 2:44
Backing Vocals, Percussion – Coke Escovedo
Bass – David Brown
Congas, Vocals, Percussion, Tambourine – Michael P. R. Carabello
Drums, Percussion, Vibraphone – Michael Shrieve
Guitar – Neal Schon
Guitar, Vocals – Carlos Santana
Piano, Organ, Vocals – Gregg Rolie
Timbales, Congas, Percussion, Vocals, Drums, Flugelhorn – Jose Chepito Areas
Embracing the concept that all of the members should share their musical ideas, Santana added two crucial components to his band: Schon, discovered at the age of 15 playing in a Palo Alto club, and Thomas "Coke" Escovedo, who during the sessions temporarily replaced ill percussionist Chepito Areas, and whose percussive assistance helped define the album's feel. With Schon in the fold, Santana strives for the unknown, and yet, manages to stave off the numbing excesses that define much of the period's output.
From the opening "Batuka," peppered with Schon's stirring guitar lines, to the sensitive "Everything Is Coming Our Way," infused with a mesmerizing Hammond organ underpinning that supports Santana's vocal pathos, the record teams with inventiveness. Involving albeit accessible concoctions of funk, jazz, rock, blues, and soul run throughout the set. Spanish-styled flavors infuse a majority of the material, ranging from the salsa piano on "Guarjira" to the distinctive "No One to Depend On," a lively take on the cha-cha-cha.
A globe-spanning armada of percussive instruments – timbales, congas, drums, vibes, tambourines, and more – as well as the existence of a three-person percussion team that fits in harmoniously with Santana, Schon, and company makes Santana III a masterful accomplishment in musical chemistry and the exploration of true world craft.
The Silver Label LP of Santana III breathes with sumptuous warmth and you-are-there realism. The tension of Schon's guitar lines, the album's open sound, and extensive use of studio echoes (check the presence of the backward echo on "No One to Depend On") fill the soundstage, replete with the kind of depth and dynamics one expects from a first-rate audiophile recording.
Recording information:
Title: Santana III
Artist: Santana
Genre: Pop-Rock
Media: 1x LP Vinyl Stereo 33rpm, Limited, Numbered, Remastered, . MFSL Silver Label. Side #1 Mastered from from 1/4", 15ips Dolby A Original Analog Master Tape Copy to DSD64 to Analog Console to Lathe, Side #2 Mastered from from 1/4", 15ips Dolby A Original Analog Master Tape to DSD64 to Analog Console to Lathe. Mastered @ Mobile Fidelity Sound Lab on The Gain 2 Ultra Analog System.
Label: MoFi - Mobile Fidelity Sound Lab
Cat#: MOFI1-039
Released: 2023 in US
Original release: 1971 by Columbia KC 30595
EAN: 0886919990515
Discogs rel.#: 5370575
